THE DEFINITIVE GUIDE TO CHARLIE CHAPLIN'S "THE CIRCUS" (1928)

They are often craving romantics, with this variance: Buster appears a plausible mate, plus the Tramp barely appears to possess a libido, only idealized notions. If their comedies were designed in a far more liberated time, it is possible to imagine Keaton in mattress with a girl, but disquieting to think about the Tramp like a sexual currently bei